Brief Overview of Maracas

Maracas, or also known as rumba shakers, are simple percussion instruments usually played in pairs. They are a type of handheld instrument that are native to Colombia, Guatemala, Puerto Rico, Cuba, and other nations of the Caribbean and Latin America. These musical instruments are usually oval or egg-shaped consisting of a dried calabash or gourd shell or coconut shell filled with seeds, small stones or dried beans. Because maracas are musical instruments that are sealed and create a full, distinctive tone, they are classified as idiophones. Also, maracas can be made of plastic, wood, or leather.

It has been said that percussion instruments, particularly drums, existed as long as the Stone Age. Pertinently, it is thought that maracas may have originated among several ancient civilizations at almost the same time. Often one ball is pitched high and the other is pitched low; maracas are essential to today’s Latin and South American ensembles. Its history is best traced through the artwork of pre-Columbian Indians, especially the tribes in Venezuela, Paraguay, Colombia, and Brazil. The word “maraca” is believed to have originated from the Tupi language of Brazil, where it is being pronounced as “ma-ra-kah” and is also thought to have been given to the instrument by the Araucanian folks of central Chile. It has been used for all gourd rattles although some also have more specific names. Just like in Trinidad, it has been recognized as shac-shacs.

CCM Music Recording Company Case Study Part 1 – Company Overview

Music Studio

History, development and growth of CCM over time

CCM, Colorado Creative Music, is music recording studio, founded
in 1995 by Darren Curtis Skanson, primarily established as
vanity label for producing, promoting and selling his own
records, and consequently developed into microlabel with 4
product lines and 11 different albums. In 2000, the company sold
30,000 of Darren Curtis Skanson CDs and received net profit of
,292.00. The company aims at expanding its customer base,
acquire more popularity, and develop the company from microlabel
to the independent one.

Vision/objectives

The business vision of Colorado Creative Music consists of three
components – Core Value, Core Purpose and Visionary Goals
(Thompson, Strickland, 2003).

Core values of CCM are quality, creativity, and excellent
customer service. The core purpose of this organization is to
make more people listen to classical and light acoustic music
and admire it. As for the visionary goals, the strategic dilemma
of the business arises. Thus, one of the visionary goal is to
make the music produced, played and recorded by CCM musicians,
heard by larger audience. The other visionary goal that doesn’t
completely go in line with the first one is to win the large
custom market for the company’s products and services. The
collision here is in the primary value and target of the
business: in the first case the attention is attached to the
product, music, while the second one is focused on the
development of the organization. This dilemma is the subject of
strategic choice of the organization, which will be outlined and
discussed later.

Music in Scripture – An Overview

Music Reference

Copyright (c) 2010 Robert Hinchliffe

In the words of the final Psalm, No.150 we read:

“Praise him with trumpets. Praise him with harps and lyres. Praise him with drums and dancing. Praise him with harps and flutes. Praise him with cymbals. Praise him with loud cymbals. Praise the Lord, all living creatures! Praise the Lord!”

The Psalms are often referred to as the Old Testament hymnbook. This psalm would suggest that instrumental music as well as vocal music was widely used as part of worship in those days. We can certainly look to the psalms for information about the use of music in scripture.

The previous Psalm, No.149, also makes a number of allusions to music in worship:

“Sing a new song to the Lord”

“Praise him with dancing; Play drums and harps in praise of him.”

“Let God’s people rejoice in their triumph And sing joyfully all night long.”

Other psalms too make reference to both vocal and instrumental music being used in worship and at other times of religious celebration. It would seem that the use of what today we would refer to as “worship bands” were very much in evidence.

Other examples of music in scripture occur elsewhere in the Old Testament. We regularly read of occasions when music is used. After the crossing of the Red Sea and the destruction of Pharaoh’s army we encounter the passage often referred to as the “Song of Moses”:

History of Drums Overview

Throughout the history of human civilization, musical instruments have played an important role in shaping most cultures. These instruments have been used as a tool for communicating feelings and meanings. One instrument that has played a major role in musical history is the drum. When studying the history of the drum, one will discover its historical influence on many societies and cultures from around the world.

Drums emerged at almost the same time as Man. The origins of the drum is said to have occurred as early as in 6000 BC. Mesopotamian excavation teams discovered small cylindrical drums that dated back to 3000 BC. The American Indians used gourd and wooden built drums for their rituals and ceremonies. Early drums were made by hollowing out a log and tightly covering the hollowed section with a membrane.

Drums have been a very important influence on Africa’s culture and customs. They have been used in African religious ceremonies and rituals. Early African tribes used drums to express important meanings in their culture and practices. The drums made their way from Africa to America during the slave trade. African drums had a major influence on western rock and roll music. The early African rhythms still influence today’s music.

When people realized they could play more than one drum at the same time, they began to play two or more drums simultaneously. Drum players began placing different drums together to develop a variety of beats and rhythms.